Kyleen Downes is a true professional. She plays, she writes, she sings, she teaches... and radiates joy when making music.  Every time I go see Kyleen play a show, I end up less grumpy when the show is over than I was before it started.  The community of musicians in the greater Dayton area is better for having her be a part it. 

This is her official music page. I have everything here on compact disc, and I assure you, it's all good.  Why not get yourself a copy of her latest album, Come On Sit Down, on vinyl or CD?

How about we get to know Kyleen a little better?  After the photo, I amplify her voice.

 

Photo by Jennifer Taylor

 

 

1.  Let's hear the elevator pitch for your skill set and genre. 

The best one I’ve come up with is my music sounds like if Tom Petty and Sheryl Crow were raised on TRL. 

 

2.  You have a Bachelor's degree in Music.  For musicians who are not formally educated in music, but wish to improve, what's a simple piece of advice you could give? 

While I was getting my degree I was inundated with so much information, I was discouraged that I wasn’t retaining what I was learning. But as the years have gone by, many concepts have clicked. So my advice would be, don’t feel like you need to know it all, incorporate what you do know (value it!) and more will come as you go. 

 

3.  What was the first album you can remember buying with your own money? 

I made two album purchases that day with my own money: The Men In Black soundtrack and Weird Al Yankovic Bad Hair Day.

 

4.  Tell me about the last concert you saw. 

I saw Cat Power, Garbage and Alanis Morissette at Riverbend in September. A friend invited me and had 3rd row seats, I’ve never been that close before! Cat Power’s performance was gorgeous and humble. Then Garbage performed and they damn near killed me with the bass, but it was awesome. Shirley Manson now has a place on my badass women list. Halfway through one of her songs she called someone out in the audience and said “Hey Kelly” then proceeded to finish the song. Afterwards, she proclaimed how amazing the universe is that in a sea of people she saw their server from the night before, Kelly. She then told the audience that Kelly was in a band called Flying Underground and that she checked them out on the Instagram and said their stuff was great! SO fun! Finally Alanis Morissette came out with her stellar band and washed us all in her unbelievable voice and energy. The concert was incredibly uplifting and an experience that I got to have with two of my closest friends. 

 

5.  When did you start playing guitar?  Why did you choose guitar as your instrument? 

I started playing guitar when I was 12 years old after my parents gave me one for Christmas. I wish I knew why I chose guitar because it has become such a huge part of my life. As a kid I did love singing musical and Disney songs, and I also played clarinet, but I really don’t know why I chose guitar. I asked my mom once why they got me a guitar for Christmas and she said, “I guess you must have asked for it.” Makes sense Mom, haha! 

 

6.  You're a solo artist, even though you write full band compositions.  I can relate.  When you finish a song and are thinking about heading to the studio with it, how do you approach making choices for arrangement and instrumentation? 

The songs I take to the band, I work out structure and instruments parts with them. The songs I’ve worked out on my own will often take shape in the studio. I may have an idea of trying something on a particular instrument but won’t know until I try it. I now have an interface and some GarageBand skills to try out more arranging beforehand, I’m excited to see how it works out! 

 

7. Can you name three influences on your songwriting and sound, along with some details on how you incorporate those influences? 

I’m influenced by whoever I am listening to or perhaps learning to play on guitar. I developed one song on guitar when I was pretending to be Jimi Hendrix in my basement. It sounds nothing like Jimi Hendrix but who does!? It was more how he moves his fingers on the neck that I was trying to imitate. That song I co-wrote with Emma Woodruff for her album Longing for Something I Ain’t Got and it’s called "Yellow Springs Thing". 

A song of mine, not yet released, called "Tell Me What I Want to Hear" was influenced by Prince. I was hearing something in my head that sounded sexy and staccato, so I developed the song with his aesthetic in mind. 

A local influence came out when I was writing my song "Big Top" and that’s the duo Biscuits and Gravy. The acoustic punch of Harold Hensley and the sassiness of Cassandra Barker really drove the tone of that song. 

 

8.  So... when do we get more new music from Kyleen Downes? 

2022! No specific details but I’ve got new songs written and will be recording soon. They each have very distinct voices so I plan to release them as singles throughout the year.

 

***

The video for "Give Up the Ghost" is great, and you should watch it.  I've already linked to the official home of Kyleen Downes on the Internet, but here's her website again.  You can find her music there, as well as on all of your normal streaming services.  You can also find Kyleen on Facebook, Instagram, and Twitter.

I am absolutely thrilled that Kyleen is willing to play with me THIS WEEK, when I play live on WYSO.  Again, she is a true professional.  Rehearsals have been solid, and I warmly invite you all to tune in on WYSO dot org Wednesday 13th October at 8 PM Eastern, and you'll hear Kyleen's fine guitar work and harmony vocals.

Let's get international again over here on Amplified.  Today we meet an Italian... an Italian who hosts a podcast called Dare to Be Seen. This podcast features independent female singer-songwriters and lets the world into their individual stories, songs, and lessons learned along their musical journey. The goal is to help women to shine in a male-dominated industry.   Click here to check out the Dare to Be Seen podcast. 

But wait!  That's not all that Elyssa does.  She also does free Kickstart Your Project Consultations as an artist and creativity coach. Click here for more details. 

Let's get to the interview after the photo.

 

1. Let's hear the elevator pitch for your skill set and genre.

I make Indie folk rock with Cabaret and Celtic European influences and sound like a mix of Jade Bird, Neko Case and Martha Wainwright’s Italian Sister.

 

2. I saw some videos of you in your studio working on songs.  How long have you been doing your own engineering?  Do you also handle your own mixing? 

I started learning about audio engineering two decades ago as a result of getting frustrated with other people having control over my recordings. I decided I needed to learn how to do things myself so I asked some friends to help me. However, I decided that was not enough so I enrolled in some university courses so I could learn about recording techniques and midi sampling. I then decided to let someone else do the mixing for me. After a few years and a lot of money wasted I refreshed my knowledge by taking another college course in audio engineering but the truth is that I do not enjoy spending a lot of time mixing. So I tend to use logic or ableton to record and do a basic mix and then, unless it is a demo, I will ask a studio to finish it up and make it sound amazing. 

 

3. What was the first album you can remember buying with your own money? 

Weirdly enough an album by The Trees, a super obscure English psychedelic folk band of the 70s. I got the LP from a second hand shop after listening to it in someone’s basement in Edinburgh. I had other records before but they were either vinyl my brother gifted me (Queen, Led Zeppelin, Doors, Bob Dylan) or cassette tapes as a teenager. Yes I am that old. 

 

4. Tell me about the last concert you saw. 

Oh my , that was a long time ago, pre-covid. I think it was the Flight of the Conchords in Glasgow! they were amazing, and the the stadium was packed. I had first seen them in New Zealand two decades prior when nobody knew who they were and swore they would be famous. We used to play at the San Francisco Bath house together! (though they won’t remember me ;P )  Well they are now super famous which goes to show I am a good talent scout! Maybe I should change job…:) 

 

5. You're bilingual.  How do you decide which language to use when you write a song? 

The country in which I currently live has been the biggest influence. So when I lived in Italy I wrote in Italian and when I lived in English speaking countries I wrote in English. However, recently I have started writing more in Italian mainly because it really is a lot easier for me to remember lyrics in Italian. I also have been told that my voice sounds better in that language. I am not sure that is true, but I feel that writing in Italian can be easier and possibly closer to who I am.... ? At the same time, it depends on the subject matter too. I left Italy when I was 18 so there are some themes I 
learnt to explore only later. Especially when it comes down to feelings I learned to express myself in English a lot better after leaving Italy. So it’s a bit tricky. It is important to me that my audience understands my lyrics. That has always been the most important factor, but now I am beginning to think that maybe that’s not something I should focus on too much just because otherwise I would never again write in Italian! So I tend to have a 50% ratio, or at least aim for that. 

 

6. Which artists do you consider to be your biggest influences? 

I have lots of influences, but mainly Italian  singer songwriters from the 70s (De Andre’, Battisti, Guccini) , prog rock bands such as the King Crimson, classic rock such as Led Zeppelin, Doors and Queen, and English, Irish and Scottish folk especially from the 70s, like The Trees and Sandy Danny and  American  storyteller / poet songwriters such as Bob Dylan, Leonard Cohen and Joan Baez. 

 

7. If you could choose for a listener to learn one thing about you from listening to your songs, what would that be? 

That we need to talk about taboo and uncomfortable truths. We need not shy away from the darkness in our souls in order to transform,  transmute and transcend. Transformation begins with acceptance. Shining a light on our fears is the first step. Then we need to harness our courage to use our pain to help us learn how to be happy. Of course we cannot always be happy and that’s ok too. 

 

8. What's next for you? 

I have an acoustic album of new songs that I want to record. It will be more stripped down than the last three albums, probably just guitar and voice or piano and voice. I am re-learning to play the piano and it’s super exciting !! I also have an electronic project on the go which is completely different from anything I have ever done... recently I attended a Berklee School of Music Songwriting course that blew my mind. I am now inspired to go back to some of the songs I have already written and re-work them to make them even better. I wish I had three times for time in my day to do all the things I want to do… and if I could I would just play music all day! I also am into my drumming a lot and am planning to start a new band as a drummer vocalist when I move to New Zealand in September. We will see if I can keep a beat and sing at the same time!

***

You can connect with Elyssa over on her official website, and also on Facebook, Instagram, and Twitter.

 

Way back in April 2020, I began an interview series here on the blog.  I call it "Amplified" because my intent is to make the voices of artists louder.  We musician types desperately wish to be heard, and although I don't exactly have a mammoth readership, I figured I'd try to get some additional ears to the work of folks I respect.  After all, I'd love for someone to do that for me, and am grateful for every single listener.  Here's a brief summary of a very diverse group of people who agreed to participate this year:

Lauren Light - pop/soul singer/songwriter, podcaster, owner of a licensing company

Nina Pelligra - a capella looper artist, songwriter, engineer

Sarah Rudy - guitarist, songwriter

Dirty Doc - guitarist, songwriter

Shannon Söderlund - bassist, guitarist, songwriter

TINO - rapper, songwriter, performer

Greg Owens - guitarist, singer/songwriter

Treneti - vocalist, bassist, songwriter, producer

Megan Fiely - abstract artist, recovering musician

OriSoaring - multi-instrumentalist classically trained on saxophone, songwriter

 

If you missed any of these, I encourage you to revisit the interviews at the links.  Listen to the music, look at the artwork, connect with the artists on social media.

 

 

Anxious Inventions & Fictions is officially being released this Saturday, September 12th, so yes, I am shouting it from the rooftops everywhere because I would really love for you to at least listen to it, maybe even purchase it.  (This is where you can purchase it.) Have you noticed the beautiful cover art for the album?  If not, well, here it is again:

Megan Fiely is the artist responsible for this painting that is hanging on the wall of my home, and also gracing the cover of Anxious Inventions & Fictions, both in the digital realm and in hard copy.  How about getting to know this artist better?  Interview questions after the picture:

 

 

1.  Let's hear the elevator pitch for your skill set. 

I am an abstract artist who works with bold texture and color, simultaneously exploring the celestial and the microscopic. 

 

 

2.  When did you first start painting? 

Visual communication, in one form or another, has always been my thing. My parents are both artists so I'm lucky to have absorbed art like a native language. I've taken a lot of different creative paths like music, clay, and quilting (!), but the painter you'd currently recognize as Megan Fiely started happening about 7 years ago. I have older paintings, but I was just fumbling around and imitating other artists, which is very important. I now feel secure evolving my own distinct style. 

 

 

3.  You are best known as a visual artist, but you are also a musician, and maybe folks who are familiar with your paintings don't know that.  What instruments do you play, and when did you start making music? 

I play the piano and sing at home, and have a guitar for fun too. I started doing all that stuff as a kid: first piano lessons in elementary school and then of course a Fender Stratocaster at 12 or 13, followed by a sanded down but rather nice repainted bass with a fairy painted on it. I had the typical 90s power chord cover band who played for 3 of our friends in the garage. Then in my 20s I dated a musician and one night his bass player didn't show up (again). I got out of the bathtub to go fill in and accidentally became a bassist for several years. Eventually I folded in one of those newer Hammond keyboards that has a built in tube, put it through a Marshall and played bass lines with my left hand on a Korg. I also always contributed back up vocals, and have a good ear for harmonies. 

Honestly though, I'm better with a paintbrush. I like leaving the music to all my talented friends and painting album covers for them when I get a chance. And on that note, thanks for including me in the Anxious Inventions & Fictions project Mike! 

 

4.  What was the first album you can remember buying with your own money? 

Pretty sure it was Mellon Collie and the Infinite Sadness - Smashing Pumpkins. Or maybe No Doubt's Tragic Kingdom. 

 

5.  Tell me about the last concert you saw. 

The last official concert while not bartending at Yellow Cab was all the way back in summer 2019 when The Breeders played at Levitt Pavillion. (Mike adds: I wrote about that show in a previous blog entry.)  That was a lot of fun because almost everyone I knew was in the audience. I remember rocking out in the audience with you, Mike! Kim and Kelly are cool but Josephine's my babe because tall, bassist, British. 

 

6.  What artists do you consider to be your biggest influences, and why?  This can include any kind of art... poets, painters, sculptors, songwriters, etc. 

Van Gogh is everyone's favorite, including mine. He was more than just a painter though: Van Gogh was a part of the earth, and maybe some kind of human conduit for nature's beauty. My art doesn't look like his, but I think all artists are attempting to tap that same vein. 

Also Chagall, Klimt, O'Keefe. Again, my work doesn't look like theirs but I appreciate the spirit of their work, and of course all the color. I like when a figurative piece tells a story. 

 

 

7.  I imagine that artists like yourself face a similar challenge to musicians in that (1) art is generally devalued by the public just like music is and (2) there may be people willing to buy your art, but it can be difficult to find them.  How do you deal with those two challenges?

STAY IN THE STUDIO. I had to stop looking for gratification though sales or popularity. I'm a very sensitive and anxious person with big opinions, so I tend to find myself in difficult situations when I'm being too public. I'm happier just living simply and focusing on the actual craft of painting. It seems like putting my energy into the art itself, rather than sales, results in just as many sales anyway. I feel valued and recognized by friends like you, Mike, and I'm seriously not bs-ing you that it's enough. Plus you had me paint your album cover so.... things do tend to work out. 

It's important to consider your audience as well. Do I really want to sell my art to rich people or corporations as part of some interior design project? Sure, but you best believe I'm gouging them! I'd seriously rather sell 10 small paintings to my friends at $60 a pop than make one big sale and never see the painting again. I am so fortunate to have a lot of creative and supportive friends and to live in a city that values the arts. I want to encourage regular people to collect and commission original art, rather than seeing it as out of reach because of the art snobs. Understanding this allows me to opt out of the things I don't want to do. 

 

8.  How do you know when a painting is done? 

Finishing is the easy part, since by that point I've worked out all the technical aspects of the composition, balance, and texture. Perfecting the color happens close to the end. It's the mystical, meditative part of the journey. Once the colors are singing and dancing around the canvas, I know I'm very close to finished and I do some final technical adjustments. I'll dry brush metallics in places that need just a little more dimension, for example. Then I'll set it somewhere in my house for a few days and just cohabitate with the painting, and adjust anything that strikes me as distracting or otherwise bothersome. Then I sign it on the side of the canvas and it's done.

 

 

***

Big thanks to Megan for the lovely painting on my wall, being willing to do this interview, and being a genuinely kind and lovely human.  Also, look at the colors jump off the screen in those samples of her work!  You can browse what she has available for sale at her online store.  You can also find her on Instagram.